(Jai Ho) No there is nothing that can stop us (Jai Ho) Nothing can ever come between us (Jai Ho) So come and dance with me Jai Ho! (Hear me it's destiny) Catch me, catch me, catch me, c'mon, catch me I want you now I know you can save me, come and save me I need you now. The following year, he was nominated for two more Oscars, this time for best song. In 2010, he was awarded the Padma Bhushan, India's third highest civilian award. Saya' and 'Jai Ho,' the latter of which won the statuette for Rahman and for lyricist Gulzar. An unbelievable concert at CES 2016 by upendra bajpai Download.
Rahman playing music Jai Ho (song), without instruments. You are the reason that I breathe, (Jai Ho) You are the reason that I still believe, (Jai Ho) You are my destiny Jai Oh! (Jai Ho) Just keep it burnin', yeah baby Just keep it comin', (Jai Ho) You're gonna find out baby I'm one in a million. (Jai Ho) Yeah I can (I can) feel you (feel you) Rushing through my veins There's an notion in my heart I will never be the same. “Creative collaboration was the most powerful response to the pandemic,” Rahman says.(Jai Ho) Escape (escape) away (away) I'll take you to a place This fantasy of you and me I'll never lose my chance. Plans for a major music festival to follow the announcement of maajja have been delayed by Covid-19, but it was time to launch the initiative and move towards the festival. Rahman, the Sufi-loving BTS fan with his finger on the pulse of the youth, says he essentially wants to make it easier for other music lovers to make their career dreams come true. That’s a huge thing,” says Tenma, a Tamil indie musician and co-founder of the band The Casteless Collective who is also associated with the new initiative. People won’t be discouraged to participate in counter-culture. “Maajja will be giving a window of hope to indie musicians in the country. “Rahman successfully took Indian fusion to the world too.” He is one of a very few musicians in the country who could breach the north-south industry divide,” says Mozumder. “It’s not surprising that Rahman is launching a concept like this. Aspirants will be able to sign up on the website and reach out through social media or email demos of their work. Our aim is to unite and create a new ecosystem with deserving talent, good production values for content and a robust platform to showcase it.”Īny artist of South Asian origin or catering to an audience in South Asia will be eligible. “The music market is very segregated and we don’t know who is consuming what. Any successful entrepreneurship or idea needs to be able to generate money and it needs to be interesting,” Rahman says. We often say it but we don’t really do it. Maajja seeks to bring data and resources to bear on this problem. “There are a lucky few who benefit from the system and rise to great heights, while others continue to struggle.” He and a trio of Canadian entrepreneurs - Noel Kirthiraj, Sen Sachi and Prasana Balachandran - have launched a platform called maajja (apparently derived from “Majestic”), promising “creative liberty” and “global reach” to independent musicians.Īs things stand, there are platforms that aspire but struggle to enable artists, Rahman told Wknd. He’s now turned his attention to the struggling South Asian indie artists.
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A year later, he started Sunshine Orchestra, offering free musical training to children who couldn’t afford it. In 2008, Rahman founded the KM Music Conservatory to train aspiring musicians. He had a young Baba Sehgal and Shweta Shetty sing Rukmani Rukmani in Roja and a relatively unknown Sukhwinder Singh sing Chaiyya Chaiyya for Dil Se ,” says Archisman Mozumder, a musicologist with the infotainment platform Rewind.
“Most composers have their regular singers, but Rahman has always scouted for new voices. Through these decades, he was also known for seeking out fresh talent to work with.
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In 2008, as part of the Danny Boyle crossover film Slumdog Millionaire’s series of wins, Rahman won two Academy Awards, two Grammies, a BAFTA, a Golden Globe and international stardom. A golden streak followed, with Bombay (1995), Rangeela (1995), Lagaan (2001), Rang De Basanti (2006), Jodhaa Akbar (2008) and Rockstar (2011), among others, and a parallel track in Tamil cinema that included films such as Iruvar (1997), Vinnaithaandi Varuvaayaa (2010), Kochadaiiyaan (2014) and I (2015).